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Reviews from JOHN A. BROUSSARD
NOVEMBER - DECEMBER
REVIEWS
NIGHTFALL
ON
DAMASCUS
FREDERICK
HIGHLAND
St. Martin
’s Minotaur / Thomas Dunne Books December,
2006
Middle
Eastern countries are hardly known for their peaceful ambience and this
one, now invaded and occupied by a Western power, is no different.
Terrorists/insurgents roam the countryside, roadside ambushes are
commonplace, bombings a regular occurrence, power outages the order of
the day. The occupiers have
no understanding of the "ragheads" they are trying to govern.
And the quisling bureaucracy they've put in place is riddled with
corrupt and incompetent sycophants.
During these last terrible years of the occupation,
France
-- the occupying power -- is fighting a losing battle in the midst of
sectarian violence. Curfews,
army patrols, arrests without charges, and the wide use of torture
produce no positive results, and the French simply continue to wonder
why the natives do not appreciate the blessings of democracy.
In the midst of all this chaos, a new chief of the
Damascus
police is appointed to replace the one killed by a car bomb.
Replacement Nikolai Faroun -- that rare creature, an honest
policeman -- is now investigating the gruesome murder of Vera Tamiri.
Is it a crime of passion, or is money behind it?
Or perhaps it is merely one more meaningless death in the charnel
house that the Syrian capital of the nineteen-thirties has become.
But Faroun continues to investigate, especially when pressures
are brought to bear on him to desist.
Highland
has woven a complex plot set against this brutal background. NIGHT
FALLS ON DAMASCUS is a well-told crime story unfolding in a
thoroughly criminal setting: a nation in the midst of a civil war.
- John A. Broussard
THE
SNOW ANGEL
MICHAEL
GRAHAM
Schaffner Press
November, 2006
ISBN: 0971059853
If
it weren't for the snow, it could be any major city in
America
. The police department is
typical as well: racism, corruption, and burnt-out-officers are the
norm. Detective Ralph Kane
marks one end of the spectrum. Addicted
to alcohol, a dedicated pot-smoker, depressed and seriously suicidal, he
is nevertheless fanatically committed to doing a good job.
Almost a polar opposite, though equally dedicated to his work,
Detective Isaiah Bell is black, happily married, and a father of two.
Since they both have long experience with informers, Inspector
Roberta Easterly calls upon the two of them -- who despise each other --
to work together to find the kidnappers of a mixed-race boy, age seven.
The one thing the police know for sure is that the boy has been
abducted by two men: one black, one white.
THE SNOW ANGEL is
much more than a police procedural, as it takes Kane and
Bell
out among the dregs of the underworld, seeking the help of individuals
they detest, as they also wrestle with their own demons.
Graham does a superb job of describing the police department's
political infighting, as well as the inner turmoil of the three main
characters. The suspense
builds as the story progresses to the final crescendo.
HIGHLY RECOMMENDED.
-
John A. Broussard
EVERYBODY
KILLS SOMEBODY SOMETIME
ROBERT
J. RANDISI
St. Martin
’s Minotaur November,
2006
Famous
and infamous celebrities of the fifties people these pages.
The Rat Pack, led by
Frank Sinatra, heads the list. Dean
Martin, Joey Bishop, Peter Lawford, Sammy Davis, Jr. and a host of other
well known actors and performers of the day are prominently featured.
Even JFK makes a cameo appearance.
With a setting in
Las Vegas
, the reader who expects murder, mayhem, and hanky-panky with actresses,
models and an assortment of other willing women won't be disappointed.
Eddie Gianelli, pit boss at the Sands, suddenly finds himself
embroiled in the private lives of the "pack rats."
Because Eddie knows just about everyone on the Vegas scene,
Sinatra enlists his aid to find out who is sending threatening notes to
Dean Martin. Eddie is given
carte blanche, except that he's to tell no one - especially not the
police - about what he's doing. But
someone finds out who wasn't supposed to, and Eddie is soon in danger of
serious bodily harm as he pries into private lives
where no prying is tolerated.
EVERYBODY KILLS SOMEBODY
SOMETIME is one of the better celebrity suspense novels.
Randisi knows the period well, draws believable characters, both
well-known and unknown, and will provide the reader who remembers the
fabulous fifties with plenty of entertainment.
Even for those just
looking for a nicely-paced suspense tale, there's plenty of intriguing
action here.
- John A. Broussard
REDEMPTION
FREDERICK
TURNER
Harcourt, Inc.
November, 2006
New
Orleans
.
1913. The District:
a large collection of brothels mostly owned by Tom Anderson, the area's
unofficial mayor. Francis
Muldoon is one of his employees, and his job is to patrol the streets at
night, keeping enough order so that the sporting gents who frequent the
bordellos won't be scared off. In
a town whose whoring and drinking are its raison
d'être, it takes all of Muldoon's policing skills to hold mayhem
and rioting to a minimum and to keep it from spilling over into the more
respectable parts of the city. But
then two incidents threaten the precarious peace of the District.
First, the Parker brothers, fresh from
New York
, move in and buy a brothel without consulting
Anderson
. The second and
potentially more troubling event is the arrival in town of
Adele
, a beautiful woman who hires out to the Parkers as a cabaret singer but
who refuses to turn tricks. When
it becomes evident that the brothers are planning to take over the
District, and that Adele has some strange hold over
Anderson
, serious repercussions are inevitable.
REDEMPTION is a
rather different suspense novel set almost entirely in the brothels of
this Southern city. Turner
is obviously well acquainted with
New Orleans
- and especially with the ambience of its whorehouses - at the turn of
the Twentieth Century. Though there are occasional anachronisms in the
narrative, such as clothes being washed with detergent, this is a very
believable picture of life in a wide-open town.
- John A. Broussard
ASK
THE PARROT
RICHARD
STARK
Mysterious Press November,
2006
The
bank robbery seems, at first, to be a success, as the three perpetrators
get away with a large amount of cash.
But the police close in on them as they cross over from
Massachusetts
to
New York
. Stashing the money and
splitting up, their luck begins to run out.
One manages to slip away; another -- who is now certain to trade
the cash for a lighter sentence -- is captured; and the third one,
Parker, finds himself climbing a hill in a forested area, the hounds
within baying distance. That's
when he encounters the reclusive Tom Lindahl, a disability pensioner who
has plans of his own for the bank robber.
Parker has little choice but to accept the
"hospitality" of the shotgun-toting Lindahl, and soon falls in
with a scheme that could enrich both of them.
ASK THE PARROT is a
mix of police roadblocks, small town greed, and the fascinating skill of
a professional criminal in avoiding capture while planning yet another
robbery. Stark is a master
at suspense, especially the variety where the reader will keep wondering
just what will happen next. What
does happen is almost always surprising.
- John A. Broussard
THE
FOURTH PERSPECTIVE
ROBERT
GREER
North Atlantic
Books / Frog Ltd. October,
2006
ISBN:
1-58394-162-2
One
might think that being an antiques dealer would be a less exciting life
than that of a bounty hunter, but C.J. Floyd's cards don't play out that
way. One problem is that
there's a crazy Indian woman stalking him.
She holds C.J. responsible for her brother's death and is willing
to do just about anything to see him dead.
The other problem is C.J., himself, who can't get bounty hunting
out of his blood, and so succumbs, finally, to his ex-partner's plea for
help in a case involving murder and the theft of a million-dollar
daguerreotype. There are
more than enough suspects to go around, including the proprietor of a
security business, a librarian, a rancher, a college professor, a shady
"book expert" and even the photo's owner himself.
As an African-American, C.J. has to walk carefully along the edge
of the white world, but his race also gives him some advantages as he
unravels multiple mysteries. THE
FOURTH PERSPECTIVE is an intriguing mix of race relations in
present-day
Colorado
, the seamier side of the antique trade, and all-consuming and
single-minded rage. Greer
successfully manages the difficult task of keeping two diverse plots
moving along in one novel while maintaining the reader's interest in
both.
-
John A. Broussard
CAUSES
UNKNOWN
LESLIE
HORVITZ
Leisure
PBO 11/06
ISBN: 0-8439-5795-6
Alan
Friedlander's death appears to be just another one of the city’s
numerous suicides, but his brother Michael simply can’t believe that
Alan would have killed himself. No
one shares his view, however. Not
the police; not the chief medical examiner; not even his own father.
Then Michael’s stubborn search for the truth produces an ally:
Dr. Gail Ives, who had assisted at the post mortem.
Together, they begin to uncover far more than they had bargained
for. A local mobster with
close ties to the police, local businesses and the medical examiner’s
office itself, is definitely involved...and definitely dangerous.
CAUSES UNKNOWN is a
suspense novel with perhaps more autopsy scenes than the average reader
would care to view. Bodies
pile up — especially of those who might have any information about the
deceased. Horvitz has two
threads running through her novel.
The first, and major one, is Michael’s search for the truth
about his brother’s death. The
second is a parallel series of crimes committed by The Chopper, whose
specialty is the rape, murder and dismemberment of a variety of victims.
Near the end of the novel, the two threads intertwine to produce
what inevitably becomes a gruesome finale.
For those who enjoy suspense novels, this one should be near the
top of their list...if they don't mind reading about headless corpses,
bottled brains and some unattached eyeballs.
- John A. Broussard
BLIND
FEAR
LYNN
ABERCROMBIE
Pinnacle
Books PBO 12/06
Warming
up a case that's been cold for decades is no easy matter.
Retired Police Lieutenant Hank Gooch finds this particular
revival to be an especially trying one.
His former partner, Mechelle Deakes, has been kidnapped.
Her eyes glued shut, she's now hidden away in a soundproof room
with thirteen hours to live . . . unless Gooch can find whoever raped
and killed Kathleen Morris Bolligrew many years before.
The result is a frenzy of hunting through old files,
interrogating old witnesses, agonizing over the three one-minute phone
calls per hour which Deakes's captor has allowed Gooch to make to the
imprisoned detective. And
Deakes can do little more than try to blindly piece together a few
ambiguous clues left in her cell. As
he gets closer and closer to the killer, Gooch encounters a varied
string of characters, from a nun who smokes and swears, to a businessman
who collects dolls, a very successful prostitute, a clumsy hit man, and
an assortment of blind persons. If
one can accept the especially absurd plot, BLIND
FEAR is a suspense novel supreme.
Abercrombie's use of the thirteen-hour deadline results in a
breathtaking pace that will make it difficult for a reader to put the
book aside anytime prior to its wild conclusion.
- John A. Broussard
FALSE
IMPRESSION
JEFFREY
ARCHER
St. Martin
’s Minotaur pb
12/06
Fenston
Finance is an amazingly successful enterprise.
The secret of its success is simple.
The owner and manager of the company, Bryce Fenston, provides
loans to anyone who is short of cash and who also owns expensive artwork
and is willing to put it up as security.
Shortly after the papers are signed, a hired assassin disposes of
the debtor. That leaves the
estate contending with financial disaster and Fenston in possession of
the art and a claim on the estate.
His recently-hired art expert, Anna Petrescu, becomes aware of
some of the shady aspects of Fenston Finance and confronts Bryce Fenston
in his office in the North Tower of New York’s
World
Trade
Center
, early on the morning of
September 11, 2001
. Fenston fires her, then
leaves the building for an appointment elsewhere.
Petrescu is less fortunate and manages to get out only moments
before the structure collapses. Taking
advantage of the belief that she was one of the casualties, Petrescu
sets out to foil the latest Fenston plot, which involves a multi-million
dollar Van Gogh owned by a British woman.
When Fenston discovers that Petrescu is still alive, he
dispatches his assassin to get the painting and finish her off.
From there on it’s a race to
England
, to
Romania
, back to
New York
and once more to
England
, with the FBI also involved in the pursuit.
FALSE IMPRESSION
piles suspense upon suspense, and though there are some amazing and
difficult-to-accept coincidences, Archer has managed to weave a tale
which is both mystery and post cold-war thriller with terrorism as a
backdrop.
-
John A. Broussard
John's review of MARK
OF THE LION by
Suzanne Arruda appears on the PAPERBACK PAGE.
John's
e-mail address is:
broupome@kona.net
He
has been writing and selling fiction,
including novels and short stories, for several years.
Many
of these may be found at:
http://www.powells.com/s?kw=john+a.+broussard&x=51&y=9

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