Reviews from JOHN A. BROUSSARD

JANUARY - FEBRUARY  REVIEWS

ICE TRAP
KITTY SEWELL
Touchstone / Simon & Schuster  February, 2008

Ice TrapDNA tests don't lie.  Or do they?  Dr. Dafydd Woodruff has cause to wonder.  Sheila Hailey, head nurse in a small-town hospital in northern Canada , has accused him of drugging and raping her after a wild night of drinking when he'd been working there.  Now, some fourteen years later, she notifies him at his home in Cardiff, Wales, that he has to pay support for the twins she says he fathered.  Though his own recollections of that night are hazy, Dafydd is convinced he never had intercourse with her.  So he denies her story, demands she produce DNA evidence to support her claim, and she immediately does so.  Now, with a rocky marriage grown rockier because of this accusation, he decides to fly to Moose Creek and settle the matter once and for all.  There, he confronts Sheila, meets the children, and learns that DNA tests indeed do not lie, but that people do.  ICE TRAP is a tale of greed in the grim landscape of an Arctic town and countryside.  Sewell does a superb job of portraying this edge-of-the-world community, where musk ox, gigantic moose and grizzlies roam, where January nights are 24/7 and temperatures can be fatal to the unwary.  As a mystery, the story leaves something to be desired, since there are plenty of clues, and most readers will undoubtedly find it easy to guess the truth early on.  Less easy to understand is why it takes Woodruff so long to do the same.  Leaving that aside, this is still a gripping story of a man confronted by a murky past, and of a calculating woman seeking to profit from it.

 - John A. Broussard

CON ED
MATTHEW KLEIN
Grand Central Publishing pb 1/08

To be a successful con artist, you have to be able to read people.  Kip Largo is a past master at that skill and, as a result, succeeded well in his chosen profession...until he got greedy.  Now a long prison sentence and middle-age have mellowed him.  He's decided to go straight with a ten-dollar-an-hour job as a counter clerk in a dry cleaning store and by running a so-far unprofitable mail-order vitamin pill business from his rented room.  Then an emergency arises.  His son has run up a large gambling debt with the Russian mafia, and the only way for Kip to help him is to somehow raise over a half-million dollars.  It will take an elaborate con involving computers, the stock market, and a millionaire anxious to make more money so he can buy an expensive Las Vegas property.  CON ED is the story of a con within a con within a con, and it soon becomes impossible to tell the lambs from the shearers.  Klein not only spins an engrossing tale here, but entertains the reader with an encyclopedia of ways in which the unwary can find themselves completely fleeced. 

 - John A. Broussard

AT THE CITY'S EDGE
MARCUS SAKEY
St. Martin's Minotaur  January, 2008

At the City's Edge There's something more going on in this Chicago ghetto than gang warfare, and bar owner Michael Palmer now has evidence of just what it is.  But knowledge can be dangerous.  Michael dies in the flames of his own establishment before he can make public what he has found out.  Only his brother Jason, a returned Iraqi War veteran, knows there was more to the fire than just a burglary gone wrong.  And the violence seems on the point of escalating as he realizes that Michael's eight-year-old son is the next target.  While trying to discover his brother's killer and protect his nephew, Jason stumbles across a useful ally, Gang Intelligence Unit cop Elena Cruz.  As the pair work their way toward a solution to the crime, they also find their own lives in peril.  AT THE CITY'S EDGE is a novel crying to be discovered by the filmmakers.  Everything is here:  Urban gangs, bent cops, a mysterious mastermind pulling strings, a child whose life is threatened, a soldier just back from one of our more recent wars, a budding romance, and even a rubber-burning car chase with vehicles smashing wildly into each other.  Sakey specializes in cliff-hangers, hairsbreadth escapes and the depiction of life in an urban backwater.  It all adds up to a first-rate thriller.

- John A. Broussard

SATURDAY'S CHILD
RAY BANKS
Harcourt, Inc.  January, 2008

British prisons are tough, but life outside can be even tougher.  Ex-con Cal Innes learns this lesson when he tries his hand as an unlicensed private investigator specializing in hunting down missing persons.  The future seems bright, until gang boss Morris Tierman calls on Cal to run down Rob Stokes, who has taken off with a large chunk of Tierman's money.  Reluctant though he is to take on the task, Cal starts his inquiries, and his efforts set off several unintended consequences.  He soon realizes that Tierman isn't really concerned about the money, and perhaps not even about Stokes; something more important is at stake.  In addition, there are several individuals who are doing their best to prevent Cal from succeeding in his quest.  Few fictional characters suffer more frequent mayhem than this particular private eye...though he does manage to do some brutalizing of his own.  The action takes place in a world replete with uppers, downers, booze and various other drugs, all wrapped in a miasma of tobacco smoke.  Readers of SATURDAY'S CHILD will need a high tolerance for obscenity and violence as a way of life.  Non-British readers will have their own special problems in working through the murky argot of North Manchester 's underworld.  A glossary would have been much utilized and much appreciated.  In spite of it all, Banks has drawn a fascinating picture of an English setting that rivals the seamiest sectors of America 's urban environments.

- John A. Broussard

EARL EMERSON.JPG (427217 bytes)
EARL EMERSON

PRIMAL THREAT
EARL EMERSON
Ballantine Books  February, 2008

Primal Threat It's summer, the Cascade forest is tinder dry and it's closed to hikers, campers, and most certainly bikers.  But Zak Polanski and several friends manage to work their way around the guard and zoom up into the hills for a weekend of wild-country roaming.  But they aren't counting on the actions of William Potter III, scion of a fortune, who is out seeking vengeance for Polanski's dating of his ex-girlfriend.   Potter has heard about the bikers' excursion plans and has recruited his buddies and some rugged-terrain vehicles to follow them and "have fun" at their expense.   The fun soon turns to tragedy.  Alcohol, anger and guns don't mix, and a confrontation between the two groups leads to the deadly fall along a mountain trail of one of Potter's group.    But whether the death was an accident or homicide is uncertain and, before that can be resolved, fire breaks out and the lives of all the survivors are at stake.  PRIMAL THREAT's title clearly has a double meaning -- the primitive human emotions leading up to the death and the even more primitive and terrifying threat of an all-engulfing forest fire.  Emerson has managed to capture the essence of both meanings.

 - John A. Broussard

TONY HILLERMAN.jpg (227868 bytes)
TONY HILLERMAN

THE SHAPE SHIFTER
TONY HILLERMAN
Harper pb 1/08

The Shape Shifter By Tony Hillerman For some, retirement is like being born again.  For others, it's an introduction to profound boredom.  Retired Navajo Tribal Police Lieutenant Joe Leaphorn fears he may be slipping into that second category when a photograph of an old Navajo rug wards off the doldrums.  While he can't be sure, it looks to him very much like a valuable rug woven a century before which told the tragic tale of horrendous mistreatment by the American government.  The rug is one that had supposedly burned up in a local trading post fire many years ago.  The insurance company had settled, and the body found at the scene had been identified as a serial killer long sought by the police.  Case closed!  But is it?  Leaphorn doggedly follows vague clues that take him to the current owner of what may be the rug or may simply be a remarkably accurate copy of it.  What he discovers makes him suspect that the case is in much need of reopening.  THE SHAPE SHIFTER is a story of the American Southwest and the native Americans who live there.  Hillerman is steeped in the legends of these people and weaves them into a current tale of cunning, ruthlessness and greed, along with a generous sprinkling of Navajo tales and folklore.

- John A. Broussard

SCHOOL FOR SCUMBAGS
DANNY KING
Serpent's Tail Trade PBO 2/08
ISBN: 978-1-85242-972-0

Jacket Cover Image Gafin School isn't your ordinary British school for rehabilitating the incorrigible.  In fact, it seems to be devoted to actually encouraging the incorrigible; or so it strikes Wayne "Banners" Banstead.  Expecting the worst when his exasperated parents send him off to Gafin, Wayne is in for a pleasant surprise.  The dozen or so other boys are definitely in his league, but best of all, so is the faculty.  What Banners can't figure out is what, exactly, is going on.  There are rules to follow, but they're minimal.  Beer flows.  Cigarettes and more potent smokes abound.  Gambling is a way of life.  And it isn't until near the end of term that he and his fellow students find out what is really in store for them.  SCHOOL FOR SCUMBAGS is primarily a crime novel, and the criminals range from purse snatchers to flashers to arsonists to just plain thieves.  The protagonist specializes in philosophizing, taking considerable pride in his chosen criminality and emerging as a leader in more than one school caper.  King has the language and behavior of the teen-aged delinquent down to a tee.  There's plenty of action here, typified by a rigged soccer game, and culminating in a spectacular crime.   First rate entertainment.

 - John A. Broussard

NO TEARS FOR THE LOST
ADRIAN MAGSON
Crème de la Crime / Dufour Editions Trade PBO 2/08
ISBN: 978-0-9551589-7-1

Who is sending threatening letters to former diplomat Sir Kenneth Myburghe?  Journalist Riley Gavin hasn't heard about the letters, but she's receiving her own anonymous mail, and it hints that Myburghe is in serious trouble.  Gavin doesn't take the matter seriously, having had more than her share of crank messages in her career.  But when her friend, Investigator Frank Palmer, shows up as bodyguard to the threatened statesman, she has to take the matter seriously.  So does Myburghe, though that doesn't deter him from giving his eldest daughter an elaborate wedding on the family grounds.  And he did so despite the added persuasion of a fake bomb sent to his home, followed by the amputated finger of his missing teen-aged son.  Gavin and Palmer are convinced there's something in Myburghe's past in Columbia , and his mysterious association with the drug lords there, that holds the clue to what's behind the threats and the gruesome murder of his regular servant/bodyguard.  NO TEARS FOR THE LOST is an international thriller that takes place mainly in Britain, and Magson does a commendable job of describing how the drug trade corrupts even those who are supposed to be suppressing it.

 - John A. Broussard

WHAT GOES AROUND
SUSAN DIAMOND
Avon pb 1/08

What Goes Around By Susan DiamondA bludgeoned body is found just outside the fence of an exclusive men's retreat.  Though it's almost certainly a homicide, the police are reluctant to push very hard for a solution, since the death can't be directly traced to the lodge, and they don't want to offend the influential membership.  On the other hand, there's a good indication that three of the members who were there at the time were either directly involved in the woman's death or at the very least dropped her outside the property and left her there to die a lingering death.   Faced with inaction by local law enforcement, five close female friends of the deceased decide to take up where the authorities left off.  Call it vengeance or just plain justice, the women are determined to make the perpetrators suffer for what they did.  In the process, they bring about profound changes in their own lives.  WHAT GOES AROUND is a very different kind of tale about amateurs taking over when reluctant officers of the law fail to pursue leads.  Diamond has a knack for switching viewpoints that reveal as much about the parties involved as it does about the situations they face, and the result is a first-rate story about careful sleuthing by five people capitalizing on their own professional talents.

- John A. Broussard 

THE VAGABOND VIRGINS
KEN KUHLKEN
Poisoned Pen Press  February, 2008
ISBN: 978-1-59058-461-3

Vagabond VirginsThe Partido Revolucionario Institucional (PRI) is doing its best to maintain its control in Mexico, but there's an election coming up, and there's a new kind of opposition on the scene.  It may, in fact, involve divine intervention!  An apparition is occurring in various parts of the country urging people to vote against the PRI, and the vision is reported by the beholders as being the Virgin Mother of God.  All of that's rather remote from the world of private investigator Alvaro Hickey.  At least it is until beautiful Lourdes Shuler shows up in his office, claims that the apparition is really her sister Lupe and that she wants Alvaro to find and rescue her before the PRI can do her harm.  Most amazing of all, Lourdes is carrying around a very convincing retainer fee of almost a million dollars in gold bars.  So the hunt begins, despite Alvaro's many doubts.  Why isn't the PRI actively denouncing the Virgin as a hoax?  Could Lourdes, herself, be the one who is playing the role of the Virgin?  Most importantly, could she have been the one who murdered her father, whose death months before is still veiled in mystery?  THE VAGABOND VIRGINS is an unusual thriller in that much of the story is a long car chase over Mexico 's back roads, as Lourdes and Alvaro seem to stay only one step behind the elusive Virgin.  Kuhlken sprinkles the story with bumbling federales, well-armed members of the opposition party, and glimpses of a world where politics are carried out at the end of a gun.

 - John A. Broussard

MURDER IN GOTHAM
ISIDORE HAIBLUM
Berkley Prime Crime PBO 1/08

Find Jake Lefkowitz!  That's Morris Weiss's new assignment.  It may not be easy, but it does look straightforward.  Jake has accumulated some gambling debts, and it seems rather obvious that he has simply gone into hiding as a result.  Evidently, he managed to keep his losses secret from his wife, and Morrie soon discovers that there was at least one other item he also kept hidden from May Lefkowitz . . . namely the blonde shiksa he went off with.  But, then, there's more, much more.  Every step Morrie takes seems to lead him further and further into the Jewish underworld in late seventies New York's Lower East Side .  Inevitably, in his quest, he comes across a few bodies and plenty of suspects.  MURDER IN GOTHAM is a private eye novel, with special emphasis on the Jewish culture of that time and place.  Yiddishisms abound, one-liners fill the pages, swift and cutting repartee is its hallmark, and each of the brief chapters begins with words of wisdom from Gotham 's famous investigator.  Haiblum writes with panache, but he will leave readers more than a little mystified as to what clues Morrie is following and how he pieces them together, as he and his hired help track down "lowlifes" while keeping an eye out for Jake Lefkowitz.

- John A. Broussard

 Look for these reviews by John on the PAPERBACK PAGE:
THE SONG IS YOU by Megan Abbott
THE STRANGLER by William Landay
DARKHOUSE by Alex Barclay

Home Page

NOVEMBER - DECEMBER  REVIEWS

THE GRAVING DOCK
GABRIEL COHEN
St. Martin ’s Minotaur / Thomas Dunne Books  November, 2007

There's more than one mystery surrounding the boy's body.  It was found in a box floating near a Brooklyn pier, the makeshift coffin put together without nails.  There's no identification.  No signs of abuse.  The child had been suffering from terminal leukemia, but the death was due to poisoning.  Strangest of all are the letters "G I" in marker pen on the boy's forehead.  But floating bodies around New York Harbor are no rarity, so the search for the killer would have been perfunctory had Detective Jack Leightner not become obsessed with the case.  He soon closes in on the perpetrator...only to have him escape by killing his partner.  The death of a police officer dramatically changes priorities, and even the FBI joins in a frantic search for the murderer.  THE GRAVING DOCK is a fascinating police procedural in the aftermath of the 9/11 tragedy which, while only peripheral to the story line, nevertheless casts its shadow over the investigation.  Cohen is a masterful writer, with a knack for cliffhangers that will invariably tempt the reader to immediately move along to the next chapter.  But he's at his best as he interweaves the main story line with the detective's always romantic and sometimes bizarre relationship with his girlfriend.  Added to this plot and sub-plot are a small dose of Buddhist philosophy and a long look at Governors Island and its storied past.  HIGHLY RECOMMENDED.

 - John A. Broussard

WHO IS CONRAD HIRST?
KEVIN WIGNALL
Simon & Schuster Trade PBO 11/07

It's not easy to draw a sympathetic portrait of a psychopathic killer, but Wignall has managed just that.  As a young Englishman visiting, on a lark, a Yugoslavia embroiled in civil war, Conrad Hirst kills for the first time.  In this instance it's a mercy killing, but the scar leaves him open to recruitment as a hit man, and the following ten years find him plying his trade for a group he doesn't know or care to know.  It's only with his latest dispatch of an old man that he begins to question his actions, and that's when he decides to do only four more killings -- and these not for money.  His targets are the four men he has had contact with, the only ones who know who he is; and then he'll retire forever.  But it isn't that simple.  With one down, he finds that some organization far more powerful than he'd ever imagined is his employer.  WHO IS CONRAD HIRST? is one of several recent novels picturing the CIA in pursuit of a rogue agent, and of a secret organization within the agency dedicated to achieve its ends by any means necessary.  For the reader who is ready to follow Hirst's body-ridden trail, this is a quintessential novel of international terror, packed with mystery piled upon mystery.  The less-than-believable ending is acceptable as the finishing touch on an otherwise convincing and superb thriller.  HIGHLY RECOMMENDED.

 - John A. Broussard

TOO HOT TO HANDLE
MARY JANE MAFFINI
Rendezvous Crime Trade PBO 11/07
ISBN: 978-1-894917-57-5

Fiona Silk is disconcerted when an impatient driver gives her the finger as he roars past her stalled vehicle, only minutes later to go careening off the highway to his death.  She will become even more so when she learns that the woman she was sure she had seen as a passenger in the ill-fated car is not to be found in the vicinity of the crash.  But recently-divorced Fiona has plenty of other matters to concern her: writer's block when she's barely begun her attempts at self-employment, a badly depleted cash reserve with mounting bills to pay, an uncooperative ex-husband who is doing his best to cheat her out of her share of their community property, and a real estate developer hungry to relieve her of the choice acreage she inherited from an aunt.  Though she has an amazing knack for always drawing the short stick, there are some bright moments for our beleaguered protagonist.  Her literary agent has signed her up to write an erotic cookbook, her friend Marc-André Paradis is finally beginning to recover from a near-fatal gunshot wound, and a precocious fifteen-year-old named Josey Thring has appointed herself as her "executive assistant."  TOO HOT TO HANDLE gets off to a slow start, but readers who work their way through those initial chapters will find an interesting mystery and a truly amusing protagonist in the person of Fiona Silk.  Maffini is skilled in her character depiction, describes a complex murder plot masterminded by a rather unbelievable and inept perpetrator and, for good measure, begins each chapter with a recipe -- in most cases decadent, even if not erotic.

 - John A. Broussard

PREACHING TO THE CORPSE
ROBERTA ISLEIB
Berkley Prime Crime, December 2007

The chairman of a search committee to select a new assistant pastor for a small Connecticut Church would seem an unlikely murder victim.  Pastor Wesley Sandifer would seem an even more unlikely suspect, but that’s what the midnight phone call to Rebecca Butterman is all about.  Reverend Wesley desperately wants her to come to the police station, presumably to have her explain to the police that he could not possibly have committed the crime.  Instead, however, his main concern is to have Rebecca take over as Search Committee Chairman.  Reluctantly, she does so.  Less reluctantly, she agrees to help Detective Meigs run down the killer — but only as an observer for him on the committee, whose members are also suspects.  PREACHING TO THE CORPSE is an unabashedly comfortable cosy, with a  psychologist (Rebecca) who authors an advice column in the local newspaper but finds it hard to take her own advice, a handsome married detective (Meigs) whom she is all too attracted to, and a congregation with more than its share of animosities and infighting.  Isleib has a flair for describing her characters, starting with Rebecca, who is plagued with self doubt, and extending even to her cat, Spenser, who has few doubts of any kind.  While the motive for murder may seem a bit unbelievable, human emotions are undoubtedly complex enough to include it.  For the reader looking for a murder mystery in the older tradition, with little mayhem beyond the original crime, this novel will fill the bill quite nicely.

- John A. Broussard

THE CURE FOR REMEMBERING
RUTH E. WEISSBERGER, MD
Melville House Publishing  November, 2007
ISBN: 978-1-933633-20-6

When someone well into their eighties dies on the operating table, the death should not be too surprising.  Except for her broken hip, however, Selma Sternberg had been in excellent health.  Furthermore, she had virtually told her grand-niece, Dr. Nora Sternberg, that she would die if she wasn't immediately sent to some other hospital -- anywhere but Lafayette Medical Center .  Shocked by Aunt Selma's sudden death, Nora's curiosity is aroused.  It intensifies when she discovers there have been other inexplicable deaths in recent months, all to patients who were elderly and who, like Selma , had long ago retired from positions at the hospital.  Nora soon discovers that not only are the deaths suspicious, but there is some kind of relationship between them and one or more of her many Sternberg relatives.  THE CURE FOR REMEMBERING puts a burden on the non-medical reader, with its pervasive jargon: diaphoretic, thoracentesis, cholecystitis, and dozens of similarly arcane symptoms, diseases and treatments.  The hospital bureaucracy is equally opaque, to say nothing of departments, surveys and other entities designated by consonant-heavy aggregations of initials such as QUCLL, PCMIC and NATCH.  The upside is that the technical terminology and impenetrable nature of the institution's hierarchy -- to say nothing of the labyrinthine physical structure of the building itself -- give the entire setting considerable credibility.  In addition, Weissberger's plot, centering around the bumbling hospital administration, is quite believable in the context of real-life newspaper stories such as the one about a medical center currently under investigation for performing three operations on the wrong sides of patients' brains.  For avid followers of TV's “ER” and “Grey's Anatomy,” this story is just what the doctor ordered.  For the rest of us, it's intriguing reading, but we should keep a medical dictionary close at hand.

 - John A. Broussard

TAKE TWO
ELSA KLENSCH
Forge Trade PBO 11/07

Noted for its extensive philanthropic work, the multi-million-dollar Woodruff Trust gets much of its revenue from Woody's, an upper-end thrift shop specializing in expensive cast-offs of the New York City elite.  The success of the store has caught the attention of some television magazine executives, and producer Sonya Iverson has been assigned to do a show on it and on the store's 40th anniversary party.  But the interviews and filming have barely begun when the woman who runs the store is found stabbed to death in the back room.  The death spurs Iverson into some extensive sleuthing while she continues to work on the documentary, and what she finds is a deeply dysfunctional family at the head of the foundation -- the founder's three daughters and their children.  Added to the mix is the oldest sister's illegitimate daughter, who has suddenly appeared and gone to work – anonymously -- at Woody's.  TAKE TWO is an absorbing tale of a family feud and a homicide that may be a spin-off of the hostility that rages among the sisters.  Klensch is thoroughly acquainted with the worlds of fashion and TV production, and she knows how to use that knowledge to come up with a first-rate mystery.

 - John A. Broussard

THE DEADLY NEIGHBORS
MERRY JONES
St. Martin ’s Minotaur / Thomas Dunne Books  December, 2007

This is Zoe Hayes's first pregnancy.  She's in her forties, is in danger of being laid off from her job as an art therapist at a clinic, and has her hands full with her precocious six-year-old adopted daughter Molly.  Then there's the looming wedding to the baby's father, Detective Nick Stiles, who is overly concerned about the health and well-being of his future offspring.  So now is not the time for her to become reconciled with her father, whom she has had no contact with for years.  But she can't ignore the call from his neighbor, who tells her Walter Hayes is sick and needs help.  He's going to need it when Zoe finds him covered with blood, a butcher knife in his hands, crouching over the body of a woman.  Fortunately for Walter, the post mortem shows she died from having betting slips forced down her throat.  All that should give the prospective reader some idea of what's in these pages, though the central element is really Zoe's trials and tribulations with a baby that seems determined to be born prematurely and a fiancé who is overacting the role of prospective father.  Jones's writing gives ample evidence that she is familiar with the downside of pregnancy and the turbulence it may cause in relationships.  Though the crime element is secondary, it's still intriguing, and the denouement should satisfy mystery buffs and romantics alike.

 - John A. Broussard

FATAL FENG SHUI
LESLIE CAINE
Dell PBO 11/07

Gilbert and Sullivan Interior Designs has a big job on its hands, remodeling a temperamental artist's multi-million-dollar home.  Shannon Dupree Young is sold on Feng Shui and has hired a consultant to give professional advice to designers Erin Gilbert and Steve Sullivan.  From the outset, everything goes wrong.  Developer Pate Hamlin, whose home is next door, has purposely designed his entranceway to make Shannon think he's cast a spell on her house, and she's distraught.  Worse, the spell seems to be working, as the remodeling keeps running into snags, and husband Michael becomes more and more discouraged with the project.  Then, one of the workmen is killed with his own nail gun, the attic catches fire, and a runaway bulldozer plows into the house.  Erin , despite police warnings to stay out of it, does her own private sleuthing to find out who's behind the death and destruction.  FATAL FENG SHUI will be of special interest to anyone interested in this Far Eastern philosophy of building layout.  Others may learn more about it than they care to know.  Caine also sprinkles in several chapters on interior design to add flavor to the mystery.  The cover of the paperback deserves special mention and a close examination.  Not only is it well done, but the artist clearly read the book and did a remarkable job of capturing its details.

 - John A. Broussard

BY BLOOD WRITTEN
STEVEN WOMACK
Harper pb 11/07

There's a sadistic killer on the loose, who writes yet another letter of the alphabet at each scene of carnage.  But he is no ordinary serial murderer.  His choice of young women isn't unusual, but the methodical vivisection of his victims is clearly the work of someone with a thorough knowledge of anatomy and remarkable skill in surgical techniques.  His goal is simple -- to prolong the agony of the person he is carefully carving up while causing as much suffering as possible.  BY BLOOD WRITTEN outdoes most serial killer novels by centering on the torture scenes and their aftermath rather than on the mystery involved or the search for the psychopath.  It also differs in that the perpetrator is revealed from the outset.  He happens to be Michael Shiftmann, a successful novelist who specializes in horror stories depicting scenes of gore and mayhem.  He is a charming, almost charismatic, individual who finds it especially easy to ensnare women for his particular purposes.  Many will consider this to be warped entertainment for readers with warped tastes by an author who, one hopes, will find a less warped subject for his next book.

- John A. Broussard

TRAP DOOR
SARAH GRAVES
Bantam Books  pb 11/07

There must be some good reason why a successful, semi-retired hit man would move to the rural outskirts of remote Eastport in northern Maine .  The answer, of course, is that Walter Henderson has a local target in mind.  His plans get a jolt, however, when he finds, hanging through a trap door in his barn, the body of a man he knows only too well.  Cory Trow had been bird-dogging his beloved daughter, with considerable encouragement on her part, and Henderson had already been planning to take drastic steps to end the relationship.  But not this way.  Though the police are quick to declare the death a suicide, local resident Jacobia "Jake" Tiptree isn't so sure.  Urged on by her housekeeper/cook, who is a friend of the dead man's mother, Jake and her sidekick Ellie White decide to investigate.  The sleuthing gets Jake into more trouble than she ever imagined when Jemmy Wechsler -- her old acquaintance, and Walter's target -- shows up seeking refuge at her lakeside home.  TRAP DOOR combines the modernizing of an old Maine house with a rambling mystery, while taking Jake and Ellie back and forth across the Canadian border searching into Cory Trow's past for proof that his putative suicide is actually a homicide.  Graves leaves a host of loose ends as she stretches the reader's credulity by including in the story plot the real or imagined ghost of Jake's late ex-husband, along with a mysterious book found in the course of remodeling the house.  The fanciful ending fits in with the general tenor of the book.

 - John A. Broussard

PAYING THE PIPER
SIMON WOOD
Leisure PBO 11/07

Serial kidnapping of children can be a lucrative enterprise, and the infamous Pied Piper seems to have made his mint and retired.  But now, after almost eight years, he's back and has struck at an unlikely victim.  Rather than preying on the wealthy, he has taken the child of investigative reporter Scott Fleetwood, who simply doesn't have the two million dollars demanded.  So when the FBI is called in, the immediate question is whether or not this new crime has been committed by the original Pied Piper or by someone who has a grudge against Fleetwood.  That may be a real possibility, since Scott himself is ready to admit that he's made many enemies in his career as a journalist.  When he finds a cell phone planted on him which the kidnapper insists he use solely to communicate with him, that is yet more evidence that the criminal is someone who knows Scott, and knows him well.  PAYING THE PIPER centers mainly on the anguish caused by this and earlier kidnappings, while the FBI appears to be futilely pursuing blind leads in search of the criminal.  Wood combines suspense with psychology as he examines the guilt Scott feels because he may have contributed to the death of a child kidnapped many years before.

 - John A. Broussard

John's e-mail address is:
broupome@kona.net

He has been writing and selling fiction, 
including novels and short stories, for several years.

Many of these may be found by clicking:

Powell's


Home Page