Reviews from MADDY VAN HERTBRUGGEN

JANUARY - FEBRUARY  REVIEWS




MAUREEN CARTER*

HARD TIME
MAUREEN CARTER 
Crème de la Crime/Dufour Editions Trade PBO 1/08
ISBN: 978-0-9551589-6-4

Detective Sergeant Bev Morriss (Birmingham, UK)  is the kind of person that you want working on those hard-to-solve cases that come up in a police department.  Intelligent, driven, competent — she has a way of homing in on the evidence, using both the facts and her intuition, and producing a result.  But things have changed for Bev.  She was brutally raped and has not been the same ever since.  She hides her feelings of vulnerability under a hard crust; instead of empathizing with the victims of the crimes that she is working on, she finds that she is alienating them.  And that's the last thing she wants to do when working on the case of an abducted five-year-old boy.  She needs the parents' cooperation; she feels that they know something that they aren't revealing.

Little Daniel Page was picked up from school by someone who looked almost exactly like his mother.  He's been missing for days, and there haven't been any ransom demands.  As you can imagine, the parents are frantic to find him.  The more time that passes, the more they disintegrate.  Although Bev suspects that they are hiding something, the investigation is pretty much at a dead end until a demand is finally made.  Meanwhile, Bev has gone through a few partners who have difficulty with her bristly personality.  Finally, she meets her match in DS Mac Tyler, who doesn't hesitate to confront Bev when she needs it. 

At the same time, Bev's superior officer, Superintendent Byford, is dealing with a puzzling case of his own.  It seems that someone is targeting a group of police officers who were involved in a hit-and-run incident many years before.  Nobody but Byford is aware of the link between the various deaths of this group of men; it's likely that he will be targeted as well, since he was a part of the incident.  There is an attraction between Bev and Byford; it's interesting to see how this relationship develops both on and off the job.

I found HARD TIME to be a first-rate book.  The procedural aspects of the various investigations in the department were very realistically portrayed.  There were three major inquiries that were covered in the narrative; the Birmingham department was completely stretched.  Carter did an excellent job of showing the pressures faced by the entire department, from top to bottom.

I really liked the various characters in the book, most especially Bev Morriss and Mac Tyler.  As Bev's brittle façade begins to crack, you can see the proud and passionate woman that she had once been.   She'll always be "Morriss the Mouth," but her usual self has fewer sharp edges than her damaged version.  I did have a bit of difficulty with the slang used in the book.  It wasn't incomprehensible but occasionally made me stop to figure out what was meant.

I liked the author's approach and the lead character so much that I have ordered the first 3 books in this series.  I guess you could say I put my money where my mouth is!

 - Maddy Van Hertbruggen
*PHOTO CREDIT:  SOPHIE SHANNON

BLOOD OF THE WICKED
LEIGHTON GAGE
Soho Crime  January, 2008
ISBN: 978-1-56947-470-9

It has been said that "reading is an adventure," and one of my favorite reading adventures is to spend time in a place that I haven't visited before.  BLOOD OF THE WICKED is set in Brazil; any preconceptions that I had about partying and dancing in the streets most of the time were certainly quashed.  Based on this book, I won't be packing my bags to go there any time soon for a visit.

When Bishop Dom Felipe is murdered at the consecration of a new church in the small town of Cascatas do Pontal, Inspector Mario Silva, Chief Inspector for Criminal Matters, is sent to investigate.  As you can imagine, there's a lot at stake.  Even the Pope has his eye on the matter.  Silva's investigation uncovers a hornet's nest of problems in the area.  There's enough political intrigue and double crossing to spread over an entire continent.  One of the major issues in the area has to do with a government policy that allows landless peasants to have squatter's rights on any property that is not being used productively.  They may legally occupy a large portion of a rich landowner's property if he hasn't developed the land.  The confrontations between the two groups tends to turn lethal.

BLOOD OF THE WICKED provides an eye-opening look at the inner workings of a place that has vastly different views of justice than in the Western world.  There are no heroes in this book.  Even Silva often goes outside the law to exact revenge or administer his own brand of justice.  It's natural to expect that a man in his position would have more ethics than he exhibits.  He tends to handle problems by asking the wronged to turn their backs while he does things on his own terms.

Although the book was well written and thought-provoking, the unceasing brutality and general lack of integrity of the characters made it impossible for me to like.  It's heartbreaking to see the extremes of poverty that exist, but even more so to see how little life is valued.  The horrific violence and cruel inhumanity of many of the characters were just too much for me to take. Gage is married to a Brazilian woman and spends part of the year there.  Given that, it would seem that his depiction of the various economic and political problems is pretty much on target. 

 - Maddy Van Hertbruggen

THE SINNER
PETRA HAMMESFAHR  
Translated from the German by John Brownjohn
Bitter Lemon Press Trade PBO 2/08
ISBN: 978-1904738-251

 The SinnerIt wasn't long after Cora was born that her mother, Elsbeth, found herself pregnant again.  However, the birth of her second daughter wasn't without its complications.  Magdalena was a victim of debilitating illness from the first, which Elsbeth, in a twisted bit of logic, blames on Cora.  Magdalena isn't given long to live; Elsbeth devotes herself totally to caring for her.  Her husband is banished from her bed; Cora is constantly chastised by Elsbeth, who has become a religious zealot along the way.  Cora's father does his best to protect her, but the situation is completely intolerable.  Cora and her father share a bedroom; although no abuse occurs, she sees her father's sexual frustration for herself.  Against all odds, Magdalena manages to survive.  Throughout her early childhood, Cora despises Magdalena ; however, she eventually comes to love her sister and to do whatever she can to make her life bearable.

Obviously, there is huge damage to Cora's psyche from living such a psychological nightmare.  As she is interviewed by the authorities, she consistently lies about her past.  She is the ultimate unreliable narrator; it's almost impossible to ferret out the truth based on her stories.  However, despite herself, she does manage to weave in tidbits of reality.  It's only after many, many interviews that Grovian feels that the truth has been revealed.

The book has a very repetitive quality to it, in that Cora often tells the same story but with slightly different details.  That slowed the pacing enormously.  The reader begins to feel just as frustrated by Cora as Grovian must have been.  There were times when I just wanted to skim past the latest iteration of the tale.  I'm glad that I didn't, because the ultimate revelation about Magdalena and how she died was well worth waiting for. 

That being said, I didn't feel that Magdalena was a very well developed character.  At first, she seemed barely capable of communicating; later on, she is shown almost as a Machiavellian influence on her sister, living her life through Cora.  In particular, the resolution wasn't realistic based on Magdalena 's many physical limitations.

THE SINNER was a best seller in its native Germany and has been translated into eleven languages.  It was a powerful book, an unusual psychological study.  Although I didn't find it completely satisfying, I did find it strange and thought provoking. 

 - Maddy Van Hertbruggen

WHAT NEVER HAPPENS
ANNE HOLT
Grand Central Publishing  February, 2008

Over the past few years, I've become a huge fan of books set outside the US and UK.  At the moment, it seems like Scandinavian authors are experiencing a publishing revolution outside of their own countries.  Henning Mankell, Arnaldur Indriđason, Karin Fossum and many more fine authors have built a worldwide readership as a result.  WHAT NEVER HAPPENS is the second book to be released in the United States by Anne Holt, acclaimed Norwegian crime writer.

Holt's books feature Adam Stubo, a police investigator, and his wife, Johanne Vik, who is a renowned profiler who learned her trade from the FBI in Quantico.  Adam and Johanne's lives have just undergone a big change with the birth of their daughter, Ragnhild.  She joins a sister, Kristiane, who has some developmental issues.  Johanne is a mass of fears over the health of her newborn child, without reason, actually.  She is barely sleeping and in more or less a constant state of alarm about the simplest things. 

In the meantime, there are a series of murders that are terrifying Oslo and that have Adam and his peers scurrying to find the perpetrator.  Each murder has its own unique gruesome element, e.g., a media personality has her tongue cut in two and rolled into an origami arrangement.  The murderer is devilishly clever; although there is a valid suspect for the first murder, there are no clues at all for the succeeding crimes.  Adam seeks Johanne's help by asking her to profile the killer.  She is reluctant to do so, but does come up with a strange theory that is initially rejected and then more or less accepted.  If the theory is true, then Johanne and the family are in grave danger.  But is it really believable that a series of FBI lectures would serve as the foundation for a group of murders in Norway thirteen years later?

As a fan of Scandinavian crime fiction and having an interest in the Norwegian way of life, I really wanted to like WHAT NEVER HAPPENS.  However, I never connected with the book intellectually or emotionally.  Part of the problem was that I didn't like the two lead characters and was never pulled into an empathetic relationship with them.  Johanne was almost pathologically paranoid about her family's safety even before the crimes were revealed; that called into question her competence as a mother, person and professional.  On the other hand, Adam, who asked for Johanne's help, was constantly putting her down and totally unwilling to listen to her, even when she was trying to provide information about the crime.  I wanted to shake him!  Although they seemed to be solidly together, their relationship never felt loving to me.

What was interesting was to see these kinds of gruesome crimes occurring in a land where such things never happen.  There is constant puzzlement over the fact that there could be a serial killer like this in Oslo.  Doesn't that sort of thing only occur in America ?

Quite surprisingly, what saved this book for me was the resolution.  What happened as far as the brains behind the crimes was concerned was most unusual and defied expectations.  I can't tell you how many times I've had a good book ruined by a bad ending.  In WHAT NEVER HAPPENS, the opposite occurred — a book that I wasn't enjoying very much was brought up in my estimation by the denouement.  I have to give credit to Holt for coming up with such a satisfying conclusion, even if the book overall didn't work for me.

 - Maddy Van Hertruggen

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NOVEMBER - DECEMBER  REVIEWS

BROTHER'S KEEPER
STEVEN OWAD
RendezVous Crime Trade PBO 10/07
ISBN: 978-1-894917-59-9

Vince Maguire is an expatriate American journalist who is living in Warsaw and working as a features writer for an English-language paper.  Although he's lived there for a decade, he's remained quite unconnected from his family and former life in New York.  All that changes when he gets a phone call in the middle of the night from his brother, Teddy, saying that he'll be arriving in Warsaw the following day.  When Vince goes to the airport, Teddy is not to be found.  Instead, a man by the name of Marty Forlani meets him and tells him that his brother is in trouble.  That's an understatement.  Vince unwittingly goes along with Marty and ends up in the middle of an assassination attempt, and he looks guilty as hell.  When the apartment of his some-time girlfriend, Zuzanna, is blown up, he knows it's time to get out of town. 

After putting a few clues together, Vince makes his way to northern Alberta, Canada.  He believes that his brother is working for an oil company there.  Vince needs to know if he's been set up by his brother or if there's something else going on that would explain the intrigue that has taken over his life.  Could he be the victim of his brother's greed?  It appears that a group of scientists have uncovered a way to produce oil that is far more efficient and effective than current methods. 

Owad excels at building suspense, and the reader is never certain what the truth is.  As much as you'd like to believe otherwise, it looks highly likely that Teddy has betrayed his brother.  Relying on his skills developed through years of investigative reporting, Vince uncovers the truth, with his heart being broken more than once. 

I enjoyed Owad's writing style.  He has a deft hand with dialogue, and the narrative progressed at a good pace.  The descriptions of life in Poland were well done, and the main characters who associated with Vince really came to life.  The "bad guys" were less effectively drawn, particularly two men Vince referred to as "The Tweedles."  Although I found the rationale for all of the murderous activity less than engaging, I was quite caught up in Vince's relationships, friend and family alike.

- Maddy Van Hertbruggen

CROSSING THE DARK
HEIDI W. BOEHRINGER   
Serpent's Tail  Trade PBO 11/07
ISBN: 978-1-85242-498-5

Mona Longo is a cop who's used to facing the dark side of human behavior.  But when her 13-year-old daughter, Perdita, is abducted and used as a sex slave, it's too much for her to handle.  Although Mona is able to rescue Perdita from the situation, there are no happy days in store as a result.  A victim of childhood rape herself, it's all Mona can do to hold things together for the two of them.  They are forced to leave their apartment, as the perpetrator, a young man named Cesar, knows where they live and could return to terrorize Perdita.  So they temporarily move in with Mona's ex-husband and Perdita's father, Les, which is far from an ideal situation.  Les is insensitive in the extreme and continually blames the victim for what happened.

Mona's entire focus in life becomes nurturing her daughter and trying to help her move on.  The reality is that Perdita has no chance of becoming the carefree young girl that she once was.  Although she goes to therapy, she is never able to return to a semblance of a normal life.  As her daughter falls into a pit of despair and depression, Mona herself is going off the rails.  She's begun to pick up men for one night stands and moves towards prostituting herself.  At the same time, she harbors dangerous feelings towards Cesar, especially when it seems that the justice system isn't going to make him pay for what he did.  In the meantime, she is jeopardizing her career and future.  Her partner, Nick, tries to keep things together, but the task is more than any one person can accomplish.

Ordinarily, I like psychological thrillers, but I really did not care for CROSSING THE DARK.  There wasn't one character who had any noble traits.  All the relationships were deeply flawed.  There was an inappropriate and unprofessional bond between Nick and Mona; the father was a real bastard and I could barely stand to read anything about him.  Too much time was spent on Mona soothing her daughter and fighting with her ex-husband. 

Even though it appeared that Mona was operating out of love and concern for Perdita at the expense of everything else, it didn't seem very caring for the two of them to continue living at Les's house, no matter how difficult for Mona to manage a place of her own.  For her daughter's mental health, she should have removed her from the psychological abuse that he scattered with every word.  And she does nothing about the fact that Les and Perdita are sitting around getting drunk together.  Even though she sought therapy for Perdita, the counselor never provided her with the tools that she needed to be able to move on with her life.  There was no way for it to end but badly.

I was really turned off by Mona's deviant sexual behavior, but the nail in the coffin for me was how she cared for her daughter.  Certainly this family faced a completely horrible situation, but there was no grace in how the tragedy was handled.

 - Maddy Van Hertbruggen

HOUSTON HOMICIDE
BILL CRIDER and CLYDE WILSON
Five Star   December, 2007
ISBN: 978-1-59414-603-9

HOUSTON HOMICIDE is a historical police procedural set in Houston in 1969.  It features Detective Ted Stephens, known as "Steve," who is assigned to investigate the murder of an entire family.  He's got lots of problems, among them the fact that his wife has deluded herself into thinking that he is fooling around and a boss who is less than supportive. 

During the course of the investigation, Steve (and I never cottoned to that name, always thinking of him as Ted!) pulls in an outside resource, an old cohort and renowned private investigator, 80-year-old Clive Watson.  Clive is extremely well connected and able to turn up information that is totally unavailable to Steve.  Unfortunately, he is mourning his wife and has a tendency to dwell on that to the exclusion of all else.

There's only so much romantic angst that I can tolerate.  What with Steve in a tailspin because of his wife leaving him and Clive wallowing in grief over the death of his spouse throughout most of the book, it was a double whammy.  These threads drained the narrative of their energy and made the characters seem pitiable, not exactly what you want in a detective or PI.  Clive had the potential to be a quirky and interesting individual, but he never came to life.

Overall, the characters didn't have much depth and I never connected to any of them.  The interactions between the characters didn't ring true, most particularly in the relationship of Steve and his boss and Steve and his wife.  The one area where the book excelled was in its depiction of the setting.  You could easily believe that you were sitting in Houston as you were reading the book.  The topical references anchoring the book into 1969 (e.g., various political figures, the Apollo space flight) were generally unobtrusive and helped set the historical framework. 

I was disappointed in HOUSTON HOMICIDE.  It's difficult in a collaboration to determine exactly what each person contributed.  I was expecting a more "Crider-like” book, with his trademark warm characters and gentle humor, and that was totally missing.  I found some of the writing to be irritating, such as the constant references to people smoking.  They never smoked cigarettes; they smoked Winstons or Chesterfields or Marlboros.  In spite of the plot's potential to be engaging, based on the heinous murders, the narrative was very slow paced, with revelations delivered via conversation rather than action. 

 - Maddy Van Hertbruggen

Maddy Van Hertbruggen is what we call a Mystery Addict.  
She is the owner of a mystery book discussion group with 
the appropriate name 4 Mystery Addicts.
For her contributions to the mystery genre Maddy has received 
both Lefty and Anthony Special Services Award nominations.
For information on how to join Maddy's merry band  
Click here.

E-mail Maddy : maddyvh @ tx. rr. com  
(In trying to avoid spam, I’ve put spaces in the email address.  
Please delete spaces when emailing me.  Thanks.  Maddy)

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